Each song's eq might appear ideal by itself, but if you sequence them together, unexpectedly one tune sounds too bright (or too dull ...). Adjusting the eq can even whatever out. Idea # 1: keep in mind that any eq changes to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to inspect how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Idea # 2: if you're unsure about an eq choice throughout mixdown, know that it's much easier to cut lower frequencies in mastering than to improve them, and simpler to boost greater frequencies than to cut them. Compression: In mastering, this is used not just to manage a mix or to add character, but also to "print" or send out as much level to the master as possible without clipping the signal. This can practically feel like a competitors for who has the loudest cd (" my record sounded terrific until I listened on my CD carousel and Green Day was 5 db louder!"). Mastering engineers should balance level with sonic stability. Levels: Ideally, a listener can play your record and not need to get up to adjust the volume. This is addressed in mastering, after the record has actually been sequenced. Only then can you actually know how levels connect to each other as one tune ends and the next begins.
Spacing & Crossfading.
Spacing: there are different viewpoints as to how one need to approach the spaces put in between songs on a record. Last pointer: you may be inclined to master the exact same recordings that you blended, whether it is for monetary factors, creative factors, or merely since you can. We highly advise that you get someone else to master your job.
Normal Free Type Beat Hip Hop areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing between songs. Or you may have 10 tunes blended by three different engineers in five various studios.
Each tune's eq may seem ideal by itself, however if you series them together, suddenly one song sounds too intense (or too dull ...). Pointer # 1: keep in mind that any eq changes to your stereo mix affect the whole mix - if you want to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to check how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to manage a mix or to add character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
